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Abhishek Bachchan Interrupted ­ AbhishekBachchan.org
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Abhishek Bachchan Interrupted
14 Apr 2010 | 1568 Views | Roxy

Abhishek Bachchan His characters struggle to do the right thing sometimes, but as an actor, Abhishek Bachchan has rarely put a foot wrong. Critics love him, magazine writers fawn over him, and he's developed a fan base like no other, largely because his performances are most often off-kilter, angled and light, full of soul, tenderness, toughness, sincerity and grace, expressed through the liquid cadences of his voice and his diction, his beautiful man-boy face, and the unerring and particular use of limbs to amplify and enhance. One could go on.

At 1.30 in the night, Abhi (as we love to call him) arrives in his booked room at the Rennaisance Powai Hotel where I am waiting for him along with his personal PR, Shalmana, who's giving me company since 10pm. A firm handshake and he wastes no time getting down to business. Abhi has just returned after finishing his first shot for the film Game he is filming along with actress Kangna Ranaut in the hotel. It's a night shift from 9pm to 9am. At just more than 6ft, there's a lot of him. He's wearing jeans with a dark grey hooded jumper over his white t-shirt. His black hair is a touch unruly, his big eyes split wide open ready to catch the questions and his long face all lit up in a room with dim lights. Before we begin our Q and A, the actor quickly orders some food. He is hungry but first thing's first - the interview. And seconds before we start off, he apologises for his late coming. But that's what makes him Abhishek Bachchan. His generosity and honesty which pours out from his heart, his respect and professionalism which he wears on his sleeves, and his vulnerable charisma which makes you think - Hang on! It's never too late.

In this exclusive two part Q and A, with UK's Harrow Observer columnist and Bollywood Hungama's London correspondent, it's the first time Abhishek Bachchan goes all out to talk about his inspiration, meteoric rise, maturity, responsibility, failures, fans, family discussions, finances, his love for twitter, music and food, his hatred for shopping and the word which he thinks defines and will define his career for years to come - 'Good Luck'.


There was a time when your film career looked a bit crooked. But today, not only films, but brands are chasing you to get their graph up straight. How do you describe your meteoric rise?

It comes down to good luck. I don't think I'm an exceptional actor. I don't think I work harder than the other actors do. In this film industry you have to work hard, you have to slog and you have to be at your A game throughout. I don't think I do it much differently to what my colleagues do. I've also done enough work to know that 'luck' plays the biggest factor in all. May be it just wasn't my time when I started off in this film industry. I could give the best performance and that film may not work. So my career has boiled down to luck.

Abhishek Bachchan How do you describe your maturity when it comes to decisions about what films to green light, as a producer of your film Paa, as a husband and as a proud son of Mr and Mrs Bachchan?

I don't put it down to maturity. To be in the film business it is very important to be immature. You need to be in touch with the child within. That's where you get the innocence and excitement from. We tend to get very jaded and cynical as we grow older, seeing the world around us and the troubles that come with it. It's very important to retain a certain amount of wonder and innocence. The most successful people in the film fraternity are basically children at heart. We still get excited when we read a script that grabs our fancy. I've never been the kind of actor who has managed to break down why I should do a film. I still have this naïve notion that if you are convinced and you put in a convincing performance, your audiences will buy it. If I plot and plan too much, somewhere I'm not going to get that conviction because I'm not going with my heart but going with my mind. The decision to do Paa and to produce it was like a child taking the decision. That's why it worked on a conceptual level.

Has money ever been an issue or a dispute when it comes to you signing a film or talking about finances?

Never. That's one thing I promised myself. I'm a professional who works in a commercial medium, and nobody is doing charity here either ways. But I, as an artist am not going to allow finances and commerce to come in between creativity because I believe that I'm being dishonest to my craft. If I like a script and my producers tell me that they can only pay me one tenth of my asking price, I'm fine with it. I'm possibly the only actor who hasn't had a market price because I price myself as per what the film deserves. I don't want to be known as a commodity. It's sad that now-a-days actors are treating themselves more as a commodity and less as an actor. If you can balance the two, that's great.

How responsible are you as an actor to your film's rejection by the audiences?

There are two parts to that and it's a bit ambiguous. What works is team work. Not just one person can be given credit and discredit for that. My performance will not be anything without my co-stars, my technicians, without the director, etc. It's a fact. If a cinematographer doesn't light the frame properly, I'm not going to be seen. If the sound recorder isn't recording the sound well, I won't be heard. It's an audio visual medium. These same people can also kill your performance. Because the Indian Film Industry is almost skewed towards the actors. If you enjoy the perks of that, you should also take blame for it.

The way you dress, people have started calling you the 'dapper dude'. Talk us about your brands, street shopping, etc.

I'm probably the world's worst person when it comes to shopping. I hate shopping. I can't handle trying on clothes. But having said that, I have an eye for what I want when it comes to my films. It's very important for me to know what the character looks like because I believe that the way the character dresses, determines a lot of his persona. Then comes in the costume designers, the stylists, etc. In my personal life, I still steal my father's clothes. I don't shop for myself. I have my mother, my father, my sister, my wife, Karan Johar and my stylist who shops for me.

Abhishek Bachchan What sort of film discussions do you and your family have on the dinner table?

When our family sits together and eats food, we never have film discussions. It's a rule that my mother set when we were kids. My father would never talk about films. While we were kids, my grand father (Abhishek's grand father was one of India's most celebrated poets - Harivanshrai Bachchan who died in 2003) would talk about things like literature, world politics, events, his experiences, etc. I remember sitting and listening to all the discussions my family members and guests would come up with while I was a kid. It was very educational. It wasn't just only films, films, films and films. I read my first film magazine when I was eighteen years old. It was called Filmfare. I thought that it was just an awards show. I attended my first Filmfare award function when I was eighteen years old.

People say that you're an underdog. They say that you deliver what's least expected of you.

It's weird, because when I entered the film industry, I wasn't the underdog. I was Amitabh Bachchan's son. I was the next big ticket that people were looking forward to. What happened subsequently when my films didn't do well, they all started feeling well and the same people made me the underdog. If you're an actor, you need to do your job. Sometimes audiences will like you and sometimes they won't. You have to accept that. I do what I want to do, which sounds a bit wrong when you're working on a public platform. But it's just the nature of the beast. I do the films that inspire me to act. It's not a decision I take that I need to be versatile and different. It just happens. I never thought that when Mani Ratnam got Guru to me, that ok, everybody is building a six pack and I needed to put on twenty kilos. It wasn't the criteria that I was to do a biopic which nobody of my age had attempted before. I loved Guru because it inspired me.

Do you see yourself immortalised in wax at the famous Madame Tussauds?

I don't know. In some ways, it will be a sort of a family reunion of sorts at Madame Tussauds. I've got my father and my wife (Amitabh Bachchan and Aishwarya Rai Bachchan) standing there in wax. Sadly and shockingly, I've never been to Madame Tussauds. I've never managed to see Aishwarya or my fathers wax statues. I saw my fathers wax work when it came to India for the first time. Yes, it can be a cool thing to be immortalised in wax but I'm not getting desperate.

On meeting Abhishek Bachchan, you notice that he is so calm and composed that almost all his answers would be to the point and short. But I get a shock of my life that he had almost got the side-A of the recorder full. He has depth, knows what he is talking and makes super sense. He pours his heart out when he wants, gives you so much respect that you sometimes feel you don't deserve and yet slash you apart if you talk the 'wrong' thing. But that's how Abhishek Bachchan is - frank. He doesn't beat around the bush. We like him that way and that is exactly the way he comes across in Part 2 of this exclusive - Abhishek Bachchan Interrupted with Devansh Patel. Now it makes sense why I reached home at 2.30 in the night. Not because of his long answers but because his answers bring out the Abhishek Bachchan we have rarely heard about.

Your new name is tweety-pie. Thanks to Twitter, we also know that you love eating frankie. How has twitter helped you to grow as a person and as an actor?

(Laughs) Not as a person. As an observer of films and the audience, it's helped me a lot. I think my sense of core values and morals is very deeply ingrained, and has been a major criteria in my growing up years and my formation. I'd like to believe that those values are strong enough not to be shaken or changed that easily. As an observer, it teaches you a lot about your work, which is your audience. They are not as fickle and easily convinced as we'd like or hope they are. You come to know about your audiences minutest details they go into. I joined twitter because I feel that it is a fantastic forum to interact with your audience and to get to know them better. I also believe that the requirement of an actor has changed today. That whole - 'he is an elusive star and that enigma'; I don't think that exists any more. If you're a mystery and an enigma it means that you're not doing any work and people have forgotten about you (laughs). The generation has changed. They aren't going to respect you how you want them to. Today, your audience wants to sit next to you and say, "What's up buddy?" They won't do that with my father. There is this respect and that barrier when it comes to Amitabh Bachchan. But with me, they'd like to be friendly and have a one on one relationship and twitter allows that.

With films like Dev D, Kaminey, Ishqiya, Paa, LSD being made, is it right in saying that we are giving birth to a different audience or a different cinema?

I've never believed in it. I never understood what parallel cinema was. I just know there is good cinema and bad cinema. The format of the film might change but it still has to appeal to the audiences. I think it's very foolish to think that the audience does not understand our films. If they're not understanding your film than you're making the wrong film. You have to make films for your audience. As a cinema lover, I want to go and be entertained. I want my money's worth. Yes, these are nice films that have been different in the way they're told and there was something about all these films that have appealed to the audiences.

Anything that we don't know about Dostana 2 that you know?

Not much. I think Dostana has suddenly grown into this monster. I remember when Tarun Mansukhani said, "I want to do part 2 of Dostana". I answered, "Don't do it." I felt that Dostana wasn't a franchise film that a sequel could've been made. Some films should be just made once and let it be. When he told me the concept of Dostana 2, I said, "This is fantastic." I was also scared and apprehensive on how Tarun would top Dostana. I mean, all the punches were pulled in part one. So what was remaining in part two was what I was curious about. How do we take it further? Tarun has got it all right this time. Dostana 2 is going to be three times funnier than Dostana. He cracked a story line which is hilarious. We start filming in July in London.

Abhishek Bachchan How easy it is to say 'Yes' to friends and professionals like Rohan Sippy and Goldie Behl for you to be a part of their film?

Very easy. My problem is that I say 'yes' too easily (laughs). I could like one scene in the film and agree with them. I wish I had the art to be removed from the film and view it. I wish I could. I don't have that capability. It sounds stupid but Roahn Sippy is my childhood friend. We went to school together. If he says that he has got a movie and wants me to do it, I'd say 'yes' to it. That's just the way I am. I won't say that I'm spontaneous but I am emotional about these people. If I do see that there is something wrong which I feel may not work for the film, I then have a liberty to tell them because they're my friends.

How much of music has influenced your life Abhishek?

It really is huge. I remember my mother telling me that to be a good actor you should have a sense of rhythm. It doesn't mean you have to be a musician or a dancer. But there has to be an inherent sense of rhythm and that rhythm helps you in your performance because a performance has a tone, a pitch and a rhythm. For me, music is integral. I listen to music as often as I can. When I am going to work, when I'm at work and returning from work, I need to listen to music.

Anything you'd like to tell us about Dum Maro Dum, your next film directed by Rohan Sippy?

Yes, the film is currently titled Dum Maro Dum. We've started shooting and will wrap up by the end of June. It is based in Goa and I play a cop in the film. He is very passionate at what he does and it's a very gritty thriller that I haven't done in a long, long time. It was a genre I was looking to get back to.

How like minded are you and your wife, Aishwarya Rai Bachchan and how diverse are you two?

Both equally. It's quite weird but I think most husbands and wives will say that. There are certain topics where we think exactly the same and there are certain where we think completely the opposite. That all adds to the attraction. There is no monotony between me and my wife. Because she is also a friend, and sometimes when we don't agree, I discuss things out with her. There are many a nights where we just sit and talk it out. She has a different point of view and I like listening to her point of view because she makes a lot of sense.

Abhishek Bachchan Lux is known for its beauty. So here we have it then, the three most beautiful men in the world - Paul Newman, SRK and Abhishek Bachchan.

I'd love people to say that. But unfortunately they probably won't. They say - 'Chand pe daag hota hai'. I think I'm the daag for Lux (laughs). The beauty is only a beauty if there is a beast to compare her to. That's why I think Lux cast me opposite my beautiful wife in the commercial. When they approached me for the commercial, I said, "I'm not getting into any bath tub and lathering myself." My first reaction was 'No'. But when they explained me why I would fit in the advert with my wife, I liked it and agreed because it was fun. Today, the commercial is hugely successful. It all paid off. I am very particular about what I endorse. What I liked was that it took me out of my comfort zone for once. It gave me the opportunity to appeal to a different kind of an audience and make a statement. With Aishwarya, I really didn't want to do commercials which sold home appliances, etc. But the Lux Soap advert is something different. Hindustan Lever as a company is very supportive and keeps us involved in their campaigns. That's the way I like to work. I am one of the only three men in the world to become a Lux model and that's pretty cool.

How personally do you take journalists and journalism?

I take it very personally because I think that they too take it personally. At the end of the day a journalist takes his job very seriously. I believe that journalism and the media is a conscience of the nation. They are the opinion makers of the nation and are the people who portray the truth. They take all this seriously. I do not disrespect a media person because I respect what they do. If I've agreed to sit in front of you, I am open to whatever questions you pose to me. But to answer them or not is my prerogative. Having said that, because of the position I have put the media in, which is of great respect and a very serious position in our society, I think they have to be equally responsible. What Mumbai Mirror wrote about my wife was offensive, slanderous and damaging. But most importantly, it wasn't the truth. You write gossip, that's ok with me. But how can you not tell the truth? That's the first rule of journalism. How can you not call and verify your story with the person you're writing it on. Forget the content of it, which was very personal, private and really not their business. But the journalist didn't have the decency to verify it with my wife. I took offence to that. So when we called the newspapers, they said that they stand by what they've written. So there is nothing much I could've done about it. It's a very serious profession. I tweeted about it too. I do not want anybody to talk false about the women of my house hold. Yes, they're public figures but as a man of the house, I'm going to draw a line somewhere. They are not willing to even bring that source in front of me. Well then, they'll face consequences.

- Indiafm.com

 

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